Love and Resilience at Alkali Lake
In 1974 Lorne Dufour moved to Alkali Lake Reserve, a Shuswap community near Williams Lake in British Columbia, to help reopen the local elementary school. Like many First Nation communities across Canada, Alkali Lake had been ravaged by decades of residential schools and forced religion. Colonialism had robbed them of their language and culture and had left a legacy of abuse and alcoholism. But in 1972, Chief Andy Chelsea and his wife Phyllis took it upon themselves to lead their community on a long and painful road to sobriety and what ensued was a dramatic transformation of a people enslaved by a seemingly unstoppable plague. By 1985, Alkali Lake was almost a hundred percent dry and had become a role model for many other communities in BC. Jacob’s Prayer takes place during this time of transformation and it speaks to the unexpected existence of resiliency in the most unassuming of characters. It centres around one tragic Halloween evening in 1975 when two men lose their lives and another is saved by a friend who chooses not to be destroyed by his own tragedy and devastating loss. Jacob’s Prayer is the haunting and poetic story of a community’s suffering, loss and eventual healing.
Lorne Dufour’s Jacob’s Prayer and Robert Arthur Alexie’s Porcupines and China Dolls are prayers for healing. These prayers are not recited over the heads of fearful children who do not understand their meaning: they are true prayers grounded in the sacred dirt of life. As witnesses of the filthy legacies of colonialism, Dufour and Alexie call First Nations to come together with real hope for healing.
Like many First Nations communities across Canada, Alkali Lake had been severely impacted by decades of residential schools and forced religion. The legacy of colonialism had deprived them of their language and culture and created a devastating relationship with alcoholism.
Jacob’s Prayer takes place during this time of transformation, and speaks to the unexpected resiliency of a community and its people.
Nominated for the 2010 Roderick Haig-Brown Regional Prize
978-1-894759-33-5 / 1-894759-33-8
6x9, 176 pages, b&w photos
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